Music
SEVERED HEADS : CLIFFORD DARLING DON'T LIVE IN THE PAST
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- Australian post-punk independent music scene. They began in Sydney in 1979, incorporating elements of industrial noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Garry Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads was the vehicle for composer Tom Ellard. In 1985 their record label asked them to release a retrospective, so they dragged out bits that we had lying around from 1979 up til 1983. The compilation was titled 'Clifford Darling Please Don't Live In The Past', spread out into a montage over four sides of vinyl. Bradbury and Ellard would fuss each bit and sling it on their new digital recorder, and since they still have the digital recorder, this reissue is made directly from the bits assembled twenty years ago. This compilation includes live recordings, raw demos, unreleased studio recordings and solo pieces from each member of the band during from the first five years. Their early music was characterized by the use of tape loops, noisy arrangements of synthesizers and other dissonant sound sources in the general category of industrial music. After several releases in that vein, Severed Heads began incorporating various popular music tropes, such as a consistent 4/4 rhythm, strong melodic lines, resolving chord arrangements and the occasional vocal. This move was underscored by the incorporation of mimetic devices, such as drum machines and bass synthesizers. The result was a striking hybrid of the avant-garde industrial and pop. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in a jacket featuring brightly colored, distorted, VHS graphics output by Stephen Jones' video synthesizer created by Tom Ellard video piece 'Kato Gets The Girl' in 1985, designed by Eloise Leigh. Each copy includes a fold-out poster with a color video still photo on one side and liner notes and credits on the other. 30 years later Severed Heads' perverse creativity is still paving the way for powerful imaginative challenging music far and wide.
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Color: Black
Code: DE 105
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割引商品を含むすべての商品は無料返品を申請できます。 配送日から営業日目安30日以内に受け取った返品については、喜んで返金させていただきます。 *下着、香水、化粧品は返品対象外となります。 ご不明な点やサポートが必要な場合は、カスタマーケアまでお問い合わせください。 返品ポリシーの詳細については、こちらをクリックしてください。
- Australian post-punk independent music scene. They began in Sydney in 1979, incorporating elements of industrial noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Garry Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads was the vehicle for composer Tom Ellard. In 1985 their record label asked them to release a retrospective, so they dragged out bits that we had lying around from 1979 up til 1983. The compilation was titled 'Clifford Darling Please Don't Live In The Past', spread out into a montage over four sides of vinyl. Bradbury and Ellard would fuss each bit and sling it on their new digital recorder, and since they still have the digital recorder, this reissue is made directly from the bits assembled twenty years ago. This compilation includes live recordings, raw demos, unreleased studio recordings and solo pieces from each member of the band during from the first five years. Their early music was characterized by the use of tape loops, noisy arrangements of synthesizers and other dissonant sound sources in the general category of industrial music. After several releases in that vein, Severed Heads began incorporating various popular music tropes, such as a consistent 4/4 rhythm, strong melodic lines, resolving chord arrangements and the occasional vocal. This move was underscored by the incorporation of mimetic devices, such as drum machines and bass synthesizers. The result was a striking hybrid of the avant-garde industrial and pop. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in a jacket featuring brightly colored, distorted, VHS graphics output by Stephen Jones' video synthesizer created by Tom Ellard video piece 'Kato Gets The Girl' in 1985, designed by Eloise Leigh. Each copy includes a fold-out poster with a color video still photo on one side and liner notes and credits on the other. 30 years later Severed Heads' perverse creativity is still paving the way for powerful imaginative challenging music far and wide.
-
Color: Black
Code: DE 105
お客様の位置に応じて標準配送とエクスプレス配送を提供します。 すべてのご注文は、提携している宅配業者を通じて世界中に発送されます。 ご注文が発送されると、追跡番号を記載したメールをお送りします。メール受信後、1〜2時間以内に記載されたリンクから配送状況をご確認いただけます。 セール期間中は、配送に遅れが生じる場合があります。ご不明な点やサポートが必要な場合は、カスタマーサービスまでお問い合わせください。 配送と配達に関する詳細は、こちらをクリックしてください。
割引商品を含むすべての商品は無料返品を申請できます。 配送日から営業日目安30日以内に受け取った返品については、喜んで返金させていただきます。 *下着、香水、化粧品は返品対象外となります。 ご不明な点やサポートが必要な場合は、カスタマーケアまでお問い合わせください。 返品ポリシーの詳細については、こちらをクリックしてください。