Music
Anom Vitruv - Untitled
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- Anom Vitruv returns to Total Stasis (Ramzi, Elysia Crampton CS + Kreme) - site of his Anomie [2015] LP - with a canny turn facing off globe-scouting sounds on one side, with another side of pastoral electro-acoustic abstraction. The stage is set with a weird newborn lamb staggering under the spotlight on the front cover (Animal [2008] c/o Signe Marie Anderssen) and revealing three ambient-pop variants ranging from a processed lick of palm wine guitar and rubbly electronics thru to a slice of autotuned dembow dancehall, then a hypnotic swirl of raga vocals and smeared microtonal gauze. Flipside, under an image of nocturnal woodland (Nesodden [2008] c/o Signe Marie Anderssen), he coaxes out a sanguine, sidereal projection of twinkling, Satie-esque keys swelling to stormy drone and jet-engine electronics benefitting from Marcus Schmickler’s mastering, and fade to close on a Twin Peaks tip.
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Color: Black
Code: STASIS008
- Anom Vitruv returns to Total Stasis (Ramzi, Elysia Crampton CS + Kreme) - site of his Anomie [2015] LP - with a canny turn facing off globe-scouting sounds on one side, with another side of pastoral electro-acoustic abstraction. The stage is set with a weird newborn lamb staggering under the spotlight on the front cover (Animal [2008] c/o Signe Marie Anderssen) and revealing three ambient-pop variants ranging from a processed lick of palm wine guitar and rubbly electronics thru to a slice of autotuned dembow dancehall, then a hypnotic swirl of raga vocals and smeared microtonal gauze. Flipside, under an image of nocturnal woodland (Nesodden [2008] c/o Signe Marie Anderssen), he coaxes out a sanguine, sidereal projection of twinkling, Satie-esque keys swelling to stormy drone and jet-engine electronics benefitting from Marcus Schmickler’s mastering, and fade to close on a Twin Peaks tip.
-
Color: Black
Code: STASIS008