Music
SEVERED HEADS : CLIFFORD DARLING DON'T LIVE IN THE PAST
이 상품은 모든 프로모션에서 제외됩니다.
- Australian post-punk independent music scene. They began in Sydney in 1979, incorporating elements of industrial noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Garry Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads was the vehicle for composer Tom Ellard. In 1985 their record label asked them to release a retrospective, so they dragged out bits that we had lying around from 1979 up til 1983. The compilation was titled 'Clifford Darling Please Don't Live In The Past', spread out into a montage over four sides of vinyl. Bradbury and Ellard would fuss each bit and sling it on their new digital recorder, and since they still have the digital recorder, this reissue is made directly from the bits assembled twenty years ago. This compilation includes live recordings, raw demos, unreleased studio recordings and solo pieces from each member of the band during from the first five years. Their early music was characterized by the use of tape loops, noisy arrangements of synthesizers and other dissonant sound sources in the general category of industrial music. After several releases in that vein, Severed Heads began incorporating various popular music tropes, such as a consistent 4/4 rhythm, strong melodic lines, resolving chord arrangements and the occasional vocal. This move was underscored by the incorporation of mimetic devices, such as drum machines and bass synthesizers. The result was a striking hybrid of the avant-garde industrial and pop. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in a jacket featuring brightly colored, distorted, VHS graphics output by Stephen Jones' video synthesizer created by Tom Ellard video piece 'Kato Gets The Girl' in 1985, designed by Eloise Leigh. Each copy includes a fold-out poster with a color video still photo on one side and liner notes and credits on the other. 30 years later Severed Heads' perverse creativity is still paving the way for powerful imaginative challenging music far and wide.
-
Color: Black
Code: DE 105
고객님의 위치에 따라 일반 배송과 익스프레스 배송을 제공합니다. 모든 주문은 제휴 택배사를 통해 전 세계로 배송됩니다. 주문이 발송되면 추적 번호가 포함된 이메일을 보내드립니다. 이메일을 받은 후 1~2시간이 지나면 제공된 링크를 통해 주문 상태를 확인하실 수 있습니다. 세일 기간에는 배송이 다소 지연될 수 있습니다. 궁금하신 점이 있거나 도움이 필요하신 경우 고객센터로 문의해 주세요. 배송 및 배달에 대한 자세한 내용이 필요하면 여기를 클릭하세요.
할인 제품을 포함한 모든 제품은 무료반품을 신청하실 수 있습니다. 배송일로부터 영업일 기준 30일 이내에 접수된 반품에 대해서는 기꺼이 환불해 드리겠습니다.반품 상품은 원래 상태를 유지하고 반드시 등기우편으로 보내주셔야 합니다. * 속옷, 향수 및 화장품등 반품 불가능합니다. 질문이 있거나 도움이 필요하신 경우 고객센터로 문의해 주세요. 반품 정책에 대한 자세한 내용은 여기를 클릭하세요.
- Australian post-punk independent music scene. They began in Sydney in 1979, incorporating elements of industrial noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Garry Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads was the vehicle for composer Tom Ellard. In 1985 their record label asked them to release a retrospective, so they dragged out bits that we had lying around from 1979 up til 1983. The compilation was titled 'Clifford Darling Please Don't Live In The Past', spread out into a montage over four sides of vinyl. Bradbury and Ellard would fuss each bit and sling it on their new digital recorder, and since they still have the digital recorder, this reissue is made directly from the bits assembled twenty years ago. This compilation includes live recordings, raw demos, unreleased studio recordings and solo pieces from each member of the band during from the first five years. Their early music was characterized by the use of tape loops, noisy arrangements of synthesizers and other dissonant sound sources in the general category of industrial music. After several releases in that vein, Severed Heads began incorporating various popular music tropes, such as a consistent 4/4 rhythm, strong melodic lines, resolving chord arrangements and the occasional vocal. This move was underscored by the incorporation of mimetic devices, such as drum machines and bass synthesizers. The result was a striking hybrid of the avant-garde industrial and pop. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in a jacket featuring brightly colored, distorted, VHS graphics output by Stephen Jones' video synthesizer created by Tom Ellard video piece 'Kato Gets The Girl' in 1985, designed by Eloise Leigh. Each copy includes a fold-out poster with a color video still photo on one side and liner notes and credits on the other. 30 years later Severed Heads' perverse creativity is still paving the way for powerful imaginative challenging music far and wide.
-
Color: Black
Code: DE 105
고객님의 위치에 따라 일반 배송과 익스프레스 배송을 제공합니다. 모든 주문은 제휴 택배사를 통해 전 세계로 배송됩니다. 주문이 발송되면 추적 번호가 포함된 이메일을 보내드립니다. 이메일을 받은 후 1~2시간이 지나면 제공된 링크를 통해 주문 상태를 확인하실 수 있습니다. 세일 기간에는 배송이 다소 지연될 수 있습니다. 궁금하신 점이 있거나 도움이 필요하신 경우 고객센터로 문의해 주세요. 배송 및 배달에 대한 자세한 내용이 필요하면 여기를 클릭하세요.
할인 제품을 포함한 모든 제품은 무료반품을 신청하실 수 있습니다. 배송일로부터 영업일 기준 30일 이내에 접수된 반품에 대해서는 기꺼이 환불해 드리겠습니다.반품 상품은 원래 상태를 유지하고 반드시 등기우편으로 보내주셔야 합니다. * 속옷, 향수 및 화장품등 반품 불가능합니다. 질문이 있거나 도움이 필요하신 경우 고객센터로 문의해 주세요. 반품 정책에 대한 자세한 내용은 여기를 클릭하세요.