Music
SEVERED HEADS : CLIFFORD DARLING DON'T LIVE IN THE PAST
此商品不参与任何促销活动。
- Australian post-punk independent music scene. They began in Sydney in 1979, incorporating elements of industrial noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Garry Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads was the vehicle for composer Tom Ellard. In 1985 their record label asked them to release a retrospective, so they dragged out bits that we had lying around from 1979 up til 1983. The compilation was titled 'Clifford Darling Please Don't Live In The Past', spread out into a montage over four sides of vinyl. Bradbury and Ellard would fuss each bit and sling it on their new digital recorder, and since they still have the digital recorder, this reissue is made directly from the bits assembled twenty years ago. This compilation includes live recordings, raw demos, unreleased studio recordings and solo pieces from each member of the band during from the first five years. Their early music was characterized by the use of tape loops, noisy arrangements of synthesizers and other dissonant sound sources in the general category of industrial music. After several releases in that vein, Severed Heads began incorporating various popular music tropes, such as a consistent 4/4 rhythm, strong melodic lines, resolving chord arrangements and the occasional vocal. This move was underscored by the incorporation of mimetic devices, such as drum machines and bass synthesizers. The result was a striking hybrid of the avant-garde industrial and pop. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in a jacket featuring brightly colored, distorted, VHS graphics output by Stephen Jones' video synthesizer created by Tom Ellard video piece 'Kato Gets The Girl' in 1985, designed by Eloise Leigh. Each copy includes a fold-out poster with a color video still photo on one side and liner notes and credits on the other. 30 years later Severed Heads' perverse creativity is still paving the way for powerful imaginative challenging music far and wide.
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Color: Black
Code: DE 105
我们根据您所在的地址提供标准配送和特快配送服务。 所有订单均通过我们的合作快递公司运送至全球各地。 一旦您的订单发货，我们将向您发送一封含有物流追踪号码的邮件。您可以在收到邮件后的一到两个小时内，通过邮件中的链接查询订单状态。 请注意，订单配送在打折季可能会有所延迟。 如果您有疑问或需要任何帮助，请联系我们的客户服务人员。 点击此处了解更多发货和配送的相关信息。
包括折扣商品在内的所有商品均可免费退货 。 我们乐意为自收货日起30个工作日内提交的退货申请办理退款。所有退货商品须保持原始状态，并通过挂号邮件寄回。 *内衣、香水和化妆品等产品不可申请退货。 如果您有任何疑问或需要帮助，请联系我们的客户服务中心。 点击此处了解我们的退货政策详情。
- Australian post-punk independent music scene. They began in Sydney in 1979, incorporating elements of industrial noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Garry Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads was the vehicle for composer Tom Ellard. In 1985 their record label asked them to release a retrospective, so they dragged out bits that we had lying around from 1979 up til 1983. The compilation was titled 'Clifford Darling Please Don't Live In The Past', spread out into a montage over four sides of vinyl. Bradbury and Ellard would fuss each bit and sling it on their new digital recorder, and since they still have the digital recorder, this reissue is made directly from the bits assembled twenty years ago. This compilation includes live recordings, raw demos, unreleased studio recordings and solo pieces from each member of the band during from the first five years. Their early music was characterized by the use of tape loops, noisy arrangements of synthesizers and other dissonant sound sources in the general category of industrial music. After several releases in that vein, Severed Heads began incorporating various popular music tropes, such as a consistent 4/4 rhythm, strong melodic lines, resolving chord arrangements and the occasional vocal. This move was underscored by the incorporation of mimetic devices, such as drum machines and bass synthesizers. The result was a striking hybrid of the avant-garde industrial and pop. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in a jacket featuring brightly colored, distorted, VHS graphics output by Stephen Jones' video synthesizer created by Tom Ellard video piece 'Kato Gets The Girl' in 1985, designed by Eloise Leigh. Each copy includes a fold-out poster with a color video still photo on one side and liner notes and credits on the other. 30 years later Severed Heads' perverse creativity is still paving the way for powerful imaginative challenging music far and wide.
-
Color: Black
Code: DE 105
我们根据您所在的地址提供标准配送和特快配送服务。 所有订单均通过我们的合作快递公司运送至全球各地。 一旦您的订单发货，我们将向您发送一封含有物流追踪号码的邮件。您可以在收到邮件后的一到两个小时内，通过邮件中的链接查询订单状态。 请注意，订单配送在打折季可能会有所延迟。 如果您有疑问或需要任何帮助，请联系我们的客户服务人员。 点击此处了解更多发货和配送的相关信息。
包括折扣商品在内的所有商品均可免费退货 。 我们乐意为自收货日起30个工作日内提交的退货申请办理退款。所有退货商品须保持原始状态，并通过挂号邮件寄回。 *内衣、香水和化妆品等产品不可申请退货。 如果您有任何疑问或需要帮助，请联系我们的客户服务中心。 点击此处了解我们的退货政策详情。